Monday, December 22, 2025

The Wonderful Thing About Triggers

CONTENT WARNING: May contain the Daily Mail.

Is it a good idea to inform punters about the contents of a movie or a play before they buy a ticket for it?

Maybe. Maybe not. It certainly can't do any harm. Some people really, really, don’t like to see a man with no clothes on; so putting up a little notice that says “This exhibition includes some paintings of men with no clothes on” seems like simple good manners. Of course, you can smirk slightly if the notice is outside an exhibition entitled Classic Renaissance Nudes. We used to smirk when we found that a product called Just Nuts had a sticker on it saying “May contain nuts”. But I reckon it’s the sort of silliness society can probably survive. Someone might go and see Equus honestly thinking it was a play about horse racing. Someone else might have seen the trailer for Pillion and thought it was mostly about motorcycles. Not everyone knew that the opening scene of the National Theatre’s Frankenstein would include parts of Benedict Cumberbatch which were not normally on public display.

You might think that it would be a better world if no-one was bothered about the unclothed human body. And members of the naturist community might well say “Yeah? Well maybe I am offended by all the people in Baywatch wearing unnecessary swimming costumes?” But I think there’s a pretty wide consensus about what people are and aren’t bothered by. You might point out that the screenplay of this week’s movie included the word “cunt”; you probably wouldn’t mention that it contained the word “nasturtium”. It’s not a hard one to navigate, and in no sensible world would it become a politicising issue.

So, in November, the Daily Mail printed a headline which ran “Theatre blasted as woke after ‘slapping trigger warning on musical Jesus Christ Superstar because it depicts the crucifixion’”.

Well, people going to see Jesus Christ Superstar must logically fall into one of two groups:

Group One: People who already know what happens in the show.

Group Two: People who don’t already know what happens in the show.

Group Two might contain foreigners, Martians and friends of Prof. Richard Dawkins, who are completely unfamiliar with the Easter story. Don’t laugh, necessarily. When I saw the show in Bristol last year, I overheard some people in the interval who were unclear about who “the baddies” were. ("Er…The Jews, actually.") And some people on the way out were expressing disappointment at the down-beat ending. Knowledge of the story can’t be taken for granted any more. I myself saw Mahabharata without having the faintest idea what the Bhagavad Gita was. 

But Group Two might also contain an awful lot of people who did know the basic story, but who didn’t know that Superstar focuses entirely on the lead-up to Jesus’ death; and people who did know that it was basically a rocked up passion play, but didn’t realise that this particular production depicts the flogging and execution of Jesus in moderately graphic detail. And among that sub-group, there are presumably some people who are perfectly fine with watching fictionalised violence, and other people who are very bothered by it indeed. Conceivably, there could be refugees or ex-servicemen who have first hand experience of torture. There might well be abuse-survivors more generally. But there are also bound to be people who are just squicked out by fake blood and would prefer to spend their evening watching something else. Yes, theatre is meant to be shocking and unsettling, but tickets cost between £82 and £395 and Wicked is on next door.

The web-page for the Palladium includes a side-bar containing boilerplate information about access, age restrictions, and what happens if one of the celebrity cast is indisposed. Shockingly, a drop-down under “Content Warning” says that the show “Contains flashing lights and visual effects, pyrotechnics, theatrical smoke and haze, some violence, imitation blood, and an onstage depiction of the crucifixion.” This appears to be standard operating procedure for the London theatre: the sidebar for the panto (Sleeping Beauty) mentions that “parental discretion is advised due to innuendo”. This makes someone called Gerald furious: he thinks that if you warn theatre-goers that a musical contains violence, the next step will be to warn them that it contains catchy tunes. 

I think that from now on I may refer to this as Gerald's Fallacy: that if you can think of a stupid thing which is not being done, it follows that the sensible thing which is being done shouldn't be. But suppose you actually did put a small notice saying "Warning: May Contain Catchy Tunes" by the box office. Who, precisely, does Gerald suppose might be harmed?

If I were a director, I might possibly be annoyed by a content warning which said something like “Contains scenes in which the butler turns out to have dunnit.” This is a point on which good men can legitimately differ. Some people think that there is, or should be, no such thing as spoiler warnings. If knowing Luke’s dad was a toboggan ruins the movie, then the movie wasn’t worth seeing in the first place. Others say that the only point in going to the theatre or the movies is to discover how the story ends, so if the title of the piece is The Assassination of Jesse James by the Coward Robert Ford or The Life and Most Piteous Death of King Richard the Second then the story is ruined before it starts. I believe I said at the time that the BBFC’s certificate at the beginning of The Unlikely Pilgrimage of Harold Frye telegraphed a significant “reveal” by stating that “suicide depiction” was one of the reasons for giving the movie a 12 Cert. It might be part of the director's plan to suddenly introduce a graphic axe murder into what appeared to be a harmless little “cosy crime” story. He might legitimately be cross if someone put up a sign saying "Warning: Contains unexpected axe murder." But someone else might think that the director had absolutely no business freaking out the paying customer in the name of artistic integrity. 

Jesus Christ Superstar is not setting out to shock anyone. The whole reason Gerald is furious is that he takes it for granted that anyone seeing the show must already knows that it contain nuts. So who does he think is being harmed? In Scenario One, every one knows what is in the musical so the warning is gratuitous: no harm done. In Scenario Two, some people don’t know what’s in the musical, but aren’t particularly bothered by it; so, again, no harm done. But in Scenario Three, some people didn’t know and do mind; and make an informed decision to spend their money elsewhere. In what possible world is this insane or staggering or infuriating or even, god help us, woke?

Over the last twelve months, the Daily Mail has published at least fifty stories in which “woke trigger warnings” are “slapped” on a wide variety of artistic works. The stories all follow roughly the same format:

"ITV is flooded with complaints after slapping 'woke' trigger warning on beloved 1970s sitcom"

"Tommy Cooper ITV compilation is hit with woke trigger warning over 'adult humour and outdated attitudes'"

"Doctor Who episode from 1969 is slapped with trigger warning amid complaints from readers show has gone 'woke'"

If you can be bothered to follow up the references, a rather less hysterical situation emerges. 

The ITV streaming service utilises a system of parental guidance. If a programme isn’t entirely innocuous, it puts a little G for Guidance by the listing, and a three or four word comment so Mum and Dad can decide if it’s appropriate for their offspring to watch it. Love Actually contains “very strong language and scenes of a sexual nature”; the Batman prequel Pennyworth contains “strong language, drugs and scenes of graphic violence”; but the old musical Grease (“the latest in a series of shows and movies to be slapped with a woke trigger warning”) has “mild language and teenaged misbehaviour”. It is in this context that The Best Of Tommy Cooper is said to have “Outdated attitudes”

This last guidance note has “sparked outrage from free speech campaigners and fans of the legendary comedian alike”

Has it? Has it really? 

Every movie or DVD released in the UK is given a rating by the British Board of Film Classification: only the most inoffensively harmless get a U. The majority of the classic era of Doctor Who is rated “U” (“infrequent very mild violence") or PG (“mild violence, threat”). The sacrilegious Russel T Davies colourisations are given slightly more in depth commentaries, presumably because they count as “new” movies. In the colourised Daleks—which has been rated “PG”—we are told that “a man punches another man but the blow is un-detailed” and that “a man dangles precariously from a rope in a sequence of sustained suspense”. (I would have written “remorseless tedium”.) The intention is clearly to reassure parents that while Doctor Who is a little bit more scary than, say, Peppa Pig (“no material likely to offend or harm”) it’s basically pretty tame and wholesome.

And this is clearly the context in which a warning has been "slapped" on the War Games. It is entirely clear that remarks about characters being “killed with fantastical weapons” and “questioned using fantastical interrogation machines” are there to reassure parents that although Doctor Who is a little bit violent, the violence is all in a harmless fantasy context. The BBFC point out that characters are “threatened with execution by firing squad” and that an American Civil War soldier uses a racist term (“boy”) in order to explain—if you want an explanation—why Doctor Who has got a PG cert (like Zootopia and Matilda) as opposed to a U (like Bluey and Tellytubbies).

The Daily Mail's language implies that these comedies and movies and stage plays have been singled out for special condemnation; that they have been slapped or hit by or handed or issued with a warning or reprimand: where in fact pretty much everything now comes with a brief description attached to it. And the rubrics are described as “Content Warning” or “Content Advice” or “Parental Guidance”. Trigger Warning is the Daily Mail’s own description.

The sidebar for the Royal Opera’s 2025 production of Puccini’s Tosca stated that it contained “depictions of executions, violence, blood, gore, murder, sexual assault, implied torture and suicide”. Rita Skeeter’s Quick-Notes-Quill transmogrifies this into “It carries eight trigger warnings relating to murder, sexual assault and torture. So far, so woke.”

The Mail's piece continues: “But now comes a trigger warning with a difference: for the venue is now alerting its audiences to – horror of horrors – the curtain-up bell.”

Up to a point, Lord Rothermore. On the Royal Opera House’s website, there is a menu called Your Visit, and on that menu there is an item called Accessibility. On the Accessibility page, there is information about an Access Scheme, Relaxed Performances, Audio Descriptions and Touch Tours for the visually impaired; wheelchair accessible toilets and step-free access. And towards the bottom of the page, you will indeed find the following:

“The Royal Opera House is a large building with many floors, lifts, escalators, corridors and open spaces….

….Lighting and sounds also vary depending on where you are in the building, with public areas being brightly lit and noisy, while the areas around the stages are dimly lit.

A handheld bell is rung by Front of House staff to signal guests to take their seats before a performance. The bell is loud and can be startling. The bell is rung approximately ten minutes before the show starts and at each interval.”

How could any sensible person object to this innocuous piece of small print? 

And how could anyone infer that there is an ulterior, left-wing (“woke”) motive behind it?

I toyed with the possibility that what was being objected to is the whole idea of "accessibility" in general, as opposed to the bell warning in particular. Is it possible that what lay behind the complaint was a wider scepticism about the whole idea of illness and disability? Does the writer of the article believe that most disabled people are not really ill; or that even if they are, the able-bodied community has no business trying to make their lives easier? The article certainly complains about West End theatre's "deference to those of sensitive disposition". The warning about the bell is specifically said to be "crazy": earlier this year the deputy Prime Minister in waiting, Richard Tice, said (in remarks which he later withdrew and apologised for) that allowing children to wear ear-protectors at school was "insane" and that the supposed over-diagnoses of special educational needs was "mad" and "an insane situation". The Tosca story carries a quote from "Free Speech Union founder" Lord Young. This is our old friend Toby Young who complained in 2018 that the word "inclusion" was a “ghastly, politically correct word” that implied “wheelchair ramps, the complete works of Alice Walker in the school library (though no Mark Twain) and a Special Educational Needs Department that can cope with everything from dyslexia to Münchausen syndrome by proxy.” 

So: is the point here that people with so-called medical conditions make a very great fuss about stairs and flashing lights and loud noises, and that the British way is to just stiffen your lips and suck it up? 

I also briefly speculated that the obsession with content warnings derived from the belief that everything not forbidden should be compulsory and anything that is not compulsory ought to be forbidden. The ITV guidance notes seem to acknowledge that Grease is a little bit rude and Love Actually is very rude indeed; and that there is a parental judgement call to be made about when kids are old enough to deal with them. But the conservative right often have a problem with shades of grey. 

As recently as the 1980s, it was the reactionary right, not the politically correct left, who objected to rude words, dirty pictures, and simulated violence. And they didn’t just want to avert their own eyes from it: they didn't want anyone else to look at it either. A content warning saying “Contains graphic depictions of anal rape” might have been a perfectly sensible notice to put by the box office for Romans in Britain: but that would not have satisfied Mrs Mary Whitehouse — she wanted the play closed down, and the producer jailed for a criminal offence. Channel 4 did, indeed, warn viewers that Tony Harrison’s poem contained a lot of very bad words, but the same Mrs Mary Whitehouse was not satisfied with this: she thought that it should not have been transmitted in the first place.

So perhaps the point is that warning us that Tommy Cooper occasionally made mildly racist jokes; and that Life of Brian contains a brief bit of full-frontal nudity, acknowledges the possibility that some people might be okay with nude scenes; and that other people might not be okay with racism. Perhaps the thinking is that violent or sexually explicit operas ought to be banned outright (because no decent person could possibly want to see them) but racist and sexist ones should be shown without comment (because no decent person could possibly object to them). Everything is clean, except a small number of dirty things which should be banned. This would be consistent with a newspaper that portrays and England in which a decent majority is permanently under siege from a destructive mob of Others. (cf Ben Goodacre's joke about the paper's ontological project to divide all substances into the ones which cause cancer and the ones which prevent it.)

But I don't even think that this is really what is going on. 

I think that we are looking at a fairly considered and politically motivated language game. I think that conservatives have been working fairly hard and fairly consistently for a number of years to give the phrase “trigger warning” a negative connotation. (They have successfully done the sane same thing with expressions like "woke", “political correctness” and “cancel culture”.) It's a pretty straight forward technique: invent a category; assert that nearly everything falls into that category; and then start wringing your hands because things in that category are so widespread.

At one time, “trigger” had a fairly clear meaning. (So, I think, did “woke”: “political correctness” was only ever a catch-all for things social conservatives disagreed with.) Someone who had undergone a trauma could suffer a severe adverse reaction to something which reminded him of the original traumatic event. It was, therefore, a good idea to warn people in advance if a dramatic work is going to feature gunshots, for example, or references to rape or child abuse. 

So: the first move is to establish that "trigger warnings", in this primary sense, are Bad Things. Gerald’s fallacy will come in handy: since it would obviously be silly to issue a trigger warning for Dumbo in case someone in the audience had once collided with a flying elephant; it follows that it would be silly to mention in advance that Prima Facie contains a very detailed description of a serious sexual assault. 

I think that this is what lies behind the use of the word "woke" in this context. The word is not being used in the original sense of "aware of structural prejudice", nor even as a pejorative term for "left wing". I think it is pretty clearly being used to mean "weak" or even "effeminate". It will be remembered that when the people of Bristol started to say that the city’s involvement in the slave trade was nothing to be very proud of, the most common response among the Daily Mail’s commentariat was the single word “pathetic”. 

Soldiers coming back from the Second World War weren’t given trigger-warnings for their PTSD, after all: they were expected to suck it up. Soldiers suffering from PTSD in the First World War were put up against a wall and shot; and it never did them any harm.

Having debunked the word in its original, legitimate sense, widen the usage, so that practically everything is a trigger warning. All movies have BFFC classification; everything on the TV streaming services have parental advisories; nearly all the London theatre websites publish information about the content of their shows. But if you say so often enough, all these innocuous bits of text can be regarded as "Trigger Warnings"--and therefore Very Bad Things. 

Now we have established that practically everything is a trigger warning, we can move on to the final stage: bombard the world with essays asking why-oh-why trigger warnings are suddenly everywhere. You might just as well proclaim that any woman owning a cat is a witch, and then throw your hands up in horror about the witchcraft epidemic. Play your cards right, and even the serious newspapers will start asking where these trigger warnings came from and what they say about modern society and when there is going to be a public enquiry and if there should be a law against it—when in fact literally nothing has happened.

And this has three excellent side-effects:

1: It means you don’t have to make accommodations for people who may literally and reasonably require actual warnings about actual triggers. If it is ludicrous to provide the information that a passion play depicts crucifixion, then it follows that it would be ridiculous to state in advance that a war film contains a graphic depiction of a napalm attack. 

2: It furthers the idea that young people are weak and that society mollycoddles them. But some people genuinely are freaked out by a five minute representation of a man being whipped; or a person being tied to a chair and shot; or of blood, albeit theatrical blood, in any context. Well, they shouldn’t. They should grin and bear it. Ban avocado lattes and bring back national service! 

3: Most importantly, it furthers belief in your conspiracy theory about how the Gnomes of Zurich or the Bavarian Illuminati are secretly controlling western civilisation. If everything is a trigger warning and all trigger warnings are woke, then it is easy to prove from first principles that the Woke Mob—which is to say the Cultural Marxists, which is probably to say the Jews--secretly control everything. 

And that we need a powerful Man of the People to set us free...

One last point. I cannot prove this: but I am pretty sure that I will be and indeed am being proved right. Whatever the Right accuses the Left of doing is the thing the Right are planning to do themselves. If Daily Mail thinks that the Left are being comically over-sensitive about sex in the media, then you can be sure that the Right is planning a puritanical backlash. If the Right say that the Left are attacking free speech in the theatre, then you can be pretty sure that they'll be reopening the Lord Chamberlain's office as soon as they get back into power. Howls about free speech presage book-burnings and state imposed censorship. 

Thursday, December 18, 2025

The Princess Bride

Thought you might want to read this one again. For some reason. 

Arts Diary: The Princess Bride

Sunday, December 07, 2025

Thursday, November 20, 2025

The Bringer of Dreams

First Contact?
by Hugh Walters

The latest instalment of my occasional series looking back on a series of science fiction novels you almost definitely read if you were at school in the 1970s. 

This volume raises some weightier than usual questions, and I respectfully suggested the long-than-usual essay may be of interest to people who don't remember the Chris Godfrey series.











VII: The Chief End of Man

Previous Section 

What on Earth or Uranus does Hugh Walters think he is doing?

I don’t think the God-talk can be written off as window dressing or plot machinery. You could write a perfectly good story about benevolent aliens without recourse to theology. First Contact? might work better if the Alien was an ambassador from a secular Galactic Federation, as opposed to the emissary of God Almighty. But Walters takes quite a lot of trouble to go through the religious arguments at a pace nine-year-olds will be able to keep up with. I think that the Supreme Being interests him in a way that fast than light tachyon gravity networks really don’t.

Could he be pushing back against Star Trek? The BBC's first run of the original series had come to an end in 1971. Gene Roddenbury’s humanist message was that you should always reject any being with theological pretensions. It is a far, far better thing to die in an atomic war or a plague than to acknowledge that Apollo has some claim over you. Perhaps this is why Chris Godfrey’s American friend makes the reckless decision to nuke the site from orbit? It’s exactly what James T Kirk would have done.

You can see why an Anglican writer of boys’ space-adventures might want to tell the kids that science and religion are not in conflict. But is Walters seeking to inject some spirituality into science — to say that the feelings we feel when we think of Jesus and the Angels could equally well be directed towards Aliens and flying saucers? Or is he trying to drag religion down to science’s level — by saying that all those Bible stories and Norse sagas have perfectly rational explanations?

The great attraction of Von Daniken is that he gives us permission to believe that the Bible is literally true. Ezekiel really did see a wheel in a wheel, way up in the middle of the air. A sweet chariot really did come for to carry Elijah home. But it does this at the cost of removing their specifically religious significance. The chariots of fire are really only very advanced aircraft. Angels' halos are really only space helmets. When Von Daniken asks “Was God an astronaut?” he means “Was God merely an astronaut?”

And that is the problem that Hugh Walters thinks he has solved. Advanced extraterrestrials are by definition closer to God than humans. God is the most advancedist extraterrestrial of all. If the Uranus Alien is literally an emissary of the Supreme Being, then he is as near to being an actual Angel as makes no difference. Moses and Gabriel were under-cover agents of the Supreme Being. So, presumably, was Gautama. It wouldn’t be difficult to fit J.C into the picture: maybe he’s literally the Supreme Being’s son. Or the Supreme Being travelling incognito.

Joyful all ye nations rise, God and Science reconciled.

Rev Beckwith’s God (in the Doctor Who book) is a deist demiurge whose job is to explain the complexity of the universe. Walters sees, correctly, that science has made an explanatory God redundant. In principle, you can understand how the universe works without recourse to a supernatural creator. But he also sees that a purely scientific world-view throws out the teleological star-baby with the explanatory bath-water. His Supreme Being doesn’t tell us how the Universe works, but what it is for: its purpose and objective. Rev Beckwith’s God is a moral force: he’s there to reassure us that the goodies will always beat the baddies in Episode Six. Walters’ Supreme Being is only indirectly moral. He certainly wants humans to be wise and sensible because if they blow themselves up they will stop evolving. But the Supreme Being doesn't specially want us to be good. The objective of evolution is to evolve. Walters' religion is the worship of progress per se. Walters stated several times that he wrote science fiction “to inspire the young people of today to be the scientists and technicians of tomorrow.” And it seems that this is the meaning of life: the whole purpose for which the universe was invented.

If Chris had not met the Alien, might he have decided that space-exploration was pointless and the human race might as well stagnate? After his memory was wiped, did he feel the urge to drop out of UNEXA and go and live in an arts-and-crafts commune? Walters’ has created a truly Anglican Supreme Being. He is the God Who Makes No Difference; the God who enjoins you to carry on doing exactly what you would have been doing in any case.

VI: The Most Tremendous Tale of All

Previous Section

Chariots of the Gods
(published in 1968) set out to debunk religion. Primitive Man saw spaceships and aliens and mistook them for angels and deities. Christianity and Judaism are on precisely the same level as a Pacific Island cargo cult.

But not everyone who read or heard about the book took it that way. Von Daniken intended to say that what we thought were divine beings were really only extraterrestrials. But his effect on the popular imagination was to give extra-terrestrial visitors the aura of the divine. UFOs could sit alongside leylines and astrology as part of the smorgasbord spirituality of the Age of Aquarius.

Arthur C Clarke said that any sufficiently advanced science is indistinguishable from magic. The corollary is that any fanciful story about magic might turn out to be a perfectly true story about advanced science. And for some people, this is a comforting thought. There might, after all, be a Santa Claus: it’s just that we slightly misunderstood his nature. If God was an Astronaut, then Astronauts may be a kind of god.

2001: A Space Odyssey (published in the same year as Von Daniken) leans heavily into the space-god mythos. Arthur C Clark would, I assume, have regarded “intelligent design” as pure pseudo-science. But the movie uses the idea of paleocontact to salvage some human exceptionalism from the Darwinian wreckage. Humans aren’t just clever monkeys that happened to have evolved in a particular way. They were deliberately taught tool-making by an enigmatic alien visitor. And the visitor had a purpose in mind: it wants humans to find their way to Jupiter so it can force them to evolve again. Natural selection isn't the whole story: there has to be Something Else. The movie, at any rate, gives no hints as to the nature of that Other Thing it just shows us an enigmatic blank slab, onto which we are free to project God or Science or Magic or Whatever The Heck We Like.

You might think that the idea that Aliens gave rise to the idea of Angels — that Moses came up with the idea of YHWH because he didn't know what a spaceship was —would be roundly condemned by theists as blasphemy of the highest order. But it seems that some Christians and even some clergymen just stroked their dog-collars and said “Maybe so.”


“If we ask ‘what has religion got to do with science fiction’, the answer is ‘everything’ 

So wrote one Rev John D Beckwith in a 1972 paperback called The Making of Doctor Who. We have talked about this momentous little publication before: it was the first Whovian reference book ever published; the only source of information on the early years most of us had before Jeremy Bentham started cranking out xeroxes. 

Why on earth was a C of E vicar asked to contribute an essay to a book which was mainly about special effects, Bill Hartnell’s CV and how they filmed the Sea Devils? I think that there is a pretty clear answer to that question. 

The Making of Doctor Who also contained an earnest little essay, presumably by Terrence Dicks, about the “science” in “science fiction”. It explains the TARDIS’s dimensions in terms of flat-landers, cubes and tesseracts; and points out that strange things happen to time when you approach the speed of light. It tells us, wrongly, that people in olden times believed that if you sailed far enough you would fall off the edge of the world: but it makes the much better point that although we know the world is round, we largely feel that it is flat. It blows our mind by telling us about non-Euclidian geometry: if you travel a hundred miles East, a hundred miles South, a hundred miles West and a hundred miles North, you don’t end up back where you started, because the surface of the earth is curved! And if you cut an orange into eight  segments, you end up with “a triangle with a square corner”. (Rather delightfully, my copy of the book has half-century old orange juice stains on the pages!)

I am afraid Dicks wanted us to draw rather anti-scientific conclusions from all this. We shouldn’t laugh at the sailors who thought the world was flat because some of our ideas might be wrong too. If we can be surprised by four-dimensional cubes and the geometry of curved surfaces, then might there not be all sorts of perspectives from which even more surprising things could be true? So, Daleks and sonic-screwdrivers — why not? It is a hand-wave which has turned up often enough in Doctor Who scripts. Bumblebees would be unable to fly if they were fixed winged aircraft, therefore aerodynamics is false, therefore you can believe anything you want to believe about anything.

The essay also introduces young readers to Femi’s paradox. Space is big, right? So “lets be gloomy” and assume that only one star in a hundred has a planet going round it and only one planet in a hundred as life on it and only one life-form in a hundred is intelligent and only one intelligent life form in a hundred has space ships….then (what with space being so big) that’s still a thousand space-going civilisations in Our-Galaxy-Alone.

So where the hell are they?

Dicks has two theories.

1: Those thousand space faring civilisations have got a hundred thousand million stars to check up on (in Our-Galaxy-Alone). And it takes an awfully long time to travel between them. (Did I mention that space was big?) So doubtless they’ll get around to visiting Earth in the next thousand years.

2: Maybe they have visited us in the past, but we didn’t spot them, because we weren’t “scientific enough”.

As evidence, Dicks points, not to the Pyramids or the Nascar lines, but to a book he calls The Holy Bible (in italics). He quotes the passage about the Four Living Creatures of Ezekiel. Aliens, obviously. He could also have pointed to the “wheel in the wheel” which “went up on their four sides and turned not when they went.” No less a person than Eugene H Peterson thinks that sounds a lot like a gyroscope.

And surely this is why they found a Vicar to say some nice things about Doctor Who on the final pages of the book? We have just, pretty blasphemously, claimed that one of the people who wrote the actual Bible — one of the people who, according to Christians, foretold the coming of Jesus — was an ignorant savage who couldn’t tell a four-headed ET from a Seraphim.

So here is the Reverend Beckwith to provide some balance.

Human beings have always looked up at the sky and made up stories, right? So Greek and Roman myths about the sun and the moon are in a very real sense a kind of olden days science fiction. And scientists and science fiction writers wonder what the universe is like, don’t they? Which is in a very real sense the same thing as the people of the Old Testament “looking for god in the heavens”. And get this — Christians think that Time and Space was made by God! So exploring Time and Space is in a very real sense the same as learning about God, isn’t it? And you know who else talked about Time and Space? Jesus! He told his followers that “God can be found and seen in everything around them” and also that “it is no good looking for God way out in space if we don’t recognise him in our familiar surroundings.” (Er…Citation needed.) Space exploration is a Good Thing, because it helps us understand that the Universe “can only have been planned by something greater than Man himself.” If we discover non-human sentient beings in Space, then God made them as well. The Bible totally says there are angels, who are certainly non-human and certainly sentient. So you could say that they are in a very real sense, “the first spacemen”. “Some people” even think the idea of angels came from alien visitations. And Doctor Who fights bad guys, which “proves that there is one basic Truth in God’s creations, and this is that the most valuable and worthwhile thing is goodness”. That is, in a very real sense, the point of Christianity, that good things are good and bad things are bad and good will win out in the end. We will now sing hymn number 425, All Things Bright and Beautiful…

Dicks’ essay was entitled “Could It All Be True?” But perhaps “It” doesn’t just refer to Zarbi and Silurians and boxes that are bigger on the inside than the outside, but the burning bush and the manna from heaven and the star of Bethlehem as well? The transition from Dicks talking about Ezekiel on page 108 and the Rev. saying that science fiction and Christianity were basically the same thing on page 109 doesn’t amount to a coherent argument: but it planted the idea in my head. The answer to both questions might very well be “Yes”. It evoked a mental mood in which watching Doctor Who on Saturday and going to Sunday School on Sunday were not incompatible and that reading Chris Godfrey stories and reading Every Boys Book of Bible Stories were not contradictory. I think that for the next decade (from the age of about nine to the age of about nineteen) I pretty much took it for granted that Kubrick’s "Dawn of Man" was more or less the literal truth; and that that literal truth was more or less what the book of Genesis “really meant”.

As has been said before: it was not a very healthy state of mind to be in. I was one of the Brainy People who the Man in the Street looked down on; but I was also one of the enlightened modern scientists, free from the arrogance of the pharisaical Victorians. I could listen to the preacher preaching and say “Aha; he doesn’t know he is really talking about aliens”, but I could read a science fiction writer talking about aliens and say “Aha, but the writer doesn’t know he is really talking about God.”

In 1963, the Rev JAT Robinson famously conceded that science had proven that God did not exist, but that it was okay to carry on worshipping a non-existent being because “God” really meant “whatever is most true and most important.” When you say that “God is love” you really mean that love is the most really, really, real thing that there is and you are definitely in favour of it" Robinson’s book was entitled Honest to God. Rev Beckwith’s essay was rather pointedly entitled “Honest to Doctor Who”.

Next Section.

V: Who Mourns for Adonis?

Previous Section 

If this were an adult science fiction novel — and I fully grok that it is not — I think we would expect it to develop in one of the following directions.

A: The Aliens are monstrous, with horrifying personal habits and weird Lovecraftian names. The astronauts assume they are evil: but it turns out that Whiskers is right and they are super-evolved space Christs.

B: The Aliens are beautiful and perfectly good: so much so that they regard humans as a blight on the Universe and intend to wipe us out.

C: The Aliens appear to be beautiful and perfectly good, But in fact they are so advanced that they regard humans as moderately interesting bacteria, and their long term plan involves turning us into perfume and baking the remains into pies.

D: The Aliens really are good and beautiful. But they have no concept of ethics, no moral code, and positively deny the existence of God, leaving everything theologically confused.

But this is a kids' book: and within a few pages of their encounter, the Alien confirms that all Whiskers speculations are true. Life really exists on millions of planets. There really is a quality called “development” and older worlds have more of it and younger worlds don’t have so much. And development really does have an end-point and a destination. 

“At the apex of all this, somewhere, is what we can call the Supreme Intelligence, directing and guiding your World, my World, and countless others too.”

“That—that’s God!” gasped Colin.

“Then there is a Deity?” Chris burst out.

But the Supreme Intelligence is not a Creator or a Designer, although it is indirectly influencing and guiding evolution. The Ultimate Question which he can answer is not "how?" but "why?"

“All are evolving towards the Ultimate: towards the Supreme Intelligence. Otherwise, why should Life evolve at all?”


Why should life evolve at all?

Back on their human's spaceship, Walters introduces us to what might be called Chris’s Wager: "God exists because I would like God to exist." Or, less cynically “It is desirable that there should be a God; therefore I might as will proceed as if there is one.” (Socrates, in fairness, said very much the same thing.) 

“The scheme of things as outlined by the Alien was so attractive and exciting, made life so worthwhile and logical, that if it wasn’t true Chris didn’t want to know. If life was just a chance development amid universal chaos, it seemed a waste. If it had no purpose or objective then all the highest incentives to progress were just self-deception. How flat everything would now seem if all that [the Alien] had said were untrue.“

But wasn’t Chris already a pious church-goer before he encountered the Alien? What new element does rebranding God as the Supreme Intelligence add to his life?

The Alien has one more tbombshell to drop. This is not the first time his race has visited our solar system:

“We have sent our emissaries to live among you. They have been as you are and have lived as you do. Of course your people did not realise that we were from another world. Usually they thought we were the prophets and teachers of your own world.”

Tony immediately connects this with UFO reports, and theorises that “the ancients” might have mistaken aliens for divine beings. He goes so far as to say that there are passages in the Bible which might refer to spaceships.

When asked to explain human religious beliefs to the Alien, Chris admits that among “civilised” people, theism is in decline. He does not say that the better we have understood the Universe, the less we have relied on God for explanations. He doesn’t say that we stopped believing in Adam and Eve once we understood natural selection; or that once we knew about microbes and viruses, we stopped attributing sickness to the devil. He looks at it in terms of a cosmic hierarchy of Greatness. In the nineteenth and early twentieth centuries, humans rejected God because they believed that humans now knew everything and would soon be all-powerful. We're invited to look at Victorian scepticism about God in the same light as the Man in the Street's scepticism about extraterrestrial life: a hubristic belief that Man Is Tops.

“As we thought we were wresting Nature’s secrets away from her, so belief in God began to crumble. Given time, man could know everything and would be all-powerful.”

But it is again the Brainy Chaps who have seen the fallacy of this:

“For every new discovery that was made, complete understanding seemed to have become further away. Gradually, I think we are losing the arrogance that made us see Man as the be-all and end-all of creation.”

Atheism is the arrogant believe that the human mind is supreme; theism, the humble acknowledgement that it is not. Chris's story is a variation of the one in the Bible. Pride is the root of every sin. Man tastes the fruit of the tree of knowledge and believes that he can become as gods, knowing good from evil.

IV: Life, the Universe and Everything

Previous Section

On page 89 of the book old “Whiskers”, the comic relief ex-Battle of Britain duffer tells Lord Benson, out of the blue “I think there must be a God.”

Benson does not reply “Well, of course you do, you’re British, dammit.”

Neither does he reply “Since we have attended Holy Communion together, I rather took that for granted.”

On the contrary, Benson is rather embarrassed. He thinks that religion is “something which one didn’t talk about” — despite having literally knelt down and prayed out loud with the teenage Chris in the first volume. One wonders who all those silent prayers that he keeps uttering have been directed at?

Whiskers explains his thinking. 

“...the universe is older and more complicated than the human mind can conceive. It’s older than we can imagine even if we accept the big bang theory of its creation….” 

and so on at some length. In summary, his argument goes like this:

1: The Universe is big.
2: The Universe is old.
3: The Universe is complex.
4: The Universe is ordered.
5: Humans do not understand the Universe.
6: Therefore Humans are not the greatest thing in the Universe
7: Therefore something greater than Humans must exist.

I am not sure he actually needed to bother with stages 1-6. If there is extraterrestrial life, then it must by definition be either a: greater than humans b: less great than humans or c: about equal to humans. And if there are a huge number of extraterrestrial life forms, then it is highly probable that at least one of them must be our superior. The proposition is actually “If we are not the only thing in the universe, then we are almost certainly not the greatest thing in it.”

But is there any extraterrestrial life at all? Walters explains that someone called “the man in the street”, relying on something called “common sense” is entirely skeptical about it.

“If these brainy chaps wanted to believe that, then let them. Mr Ordinary Man knew better. He felt in his bones that he was ‘the tops’. How could there be a higher form of life, he asked himself proudly as he looked around at his pubs and bingo halls, his motor cars and tinned foods, his palaces and slums.”

The Man in the Street does not point to Beethoven’s Fifth Symphony or King Lear as proof of man’s superiority: this is the voice of grammar school educated British Interplanetary Society member sneering at the plebs who only made it to Secondary Modern. But It’s a decent enough device for getting readers on side. Obviously, we all want to be on the side of the Brainy Chaps.

We aren’t told what the man-in-the-street thinks about religion: but we get a brief insight into what Brainy Chaps think. Benson, it turns out, is strictly agnostic. He thinks that the universe has three qualities

1: Complexity
2: Beauty
3: Infinite wonder.

It isn’t clear if he thinks that complexity is intrinsically beautiful, or if there could have been a universe was beautiful and simple, or one which was complicated but ugly. It also isn’t clear if “wonder”, “complexity” and “beauty” are intrinsic properties that the universe has, or merely descriptions of human beings reaction to it. But he does think that they might imply that there is a “thing” that “lies behind” the universe.

He does not think that this Thing, if it exists, would have explanatory power. He does not say that the universe is so complicated, beautiful and wonderful that some Thing even more complicated, beautiful and wonderful must have had a hand in the design of it. But if such a Thing exists, we can reasonably ask what the Universe is for. The existence of the Thing implies that the universe has a “meaning” and that there is a “direction in which it is moving.”

It is trivially true that if Man is not the greatest thing in the universe, then something greater than Man must exist. And if there are many things in the Universe and many degrees of greatness, one Thing must necessarily be the greatest of all. But it is by no means the case that "the greatest thing which happens to exist" is also the "greatest thing which could possibly exist". But we seem to have agreed that "the greatest thing which happens to exist" can reasonably be given the name "God". 

Whiskers reasoning goes beyond Benson’s

1: A race with more complicated machines and greater scientific understanding can be said to be more advanced than one without those things.
2: An older race must have been developing longer than a younger race.
3: An older race must have been evolving for longer than a younger race — indeed, it must be "more evolved".
4: Advancement, development and evolution all imply an increase in greatness.
5: The thing with the most greatness is called God.
6: Therefore older races must be closer to God than younger ones.
7: God is by definition good.
8: Therefore older races must necessarily be more good than younger ones, and our heroes have nothing to fear from the aliens.

Whiskers is, in fact, conflating “greatness” with “goodness”: he is assuming that “more advanced” is synonymous with “better”. We could label this Taylor’s Fallacy: “Somewhere in the universe there has to be something better than man”.

Sir Billy, who has replaced Sir George as head of UNEXA, points out that evolution is not a matter of linear improvement: “many other things” apart from the human mind has evolved. But Whiskers refutes this — there have been “set backs and side tracks” but the “trend” has always been towards greater intelligence. The arc of evolution is long, but it bends towards Prof Albert Einstein. 

This is indeed the view of evolution promulgated in 1970s school text books which tended to show chimpanzees turning into stockbrokers and codfish turning into triceratops as automatically as kittens turn into pussy cats and tadpoles turn into frogs. A scientific theory about change and adaptation has morphed into a narrative about inevitable improvement. This provided Creationists with a convenient stick with which to beat Charles Darwin: since the "inevitable improvement" theory was obviously silly, the whole idea of evolution was obviously fake news.

“What you are saying,” Lord Benson interposed “is that because [the Alien] must come from an older race, it must necessarily be from a more advanced and intelligent race. That evolution is always towards a higher plane, is always an advance.”

“Something like that.” Whiskers agreed…”Evolution has a definite direction and objective” he declared firmly. “I believe it is towards God himself.”

And later

“So what you are saying is that because this Alien comes from a far more technically advanced civilisation than ours, from a race that must have been evolving far longer than ours, they must be nearer and more like God than we are?” Lord Benson enquired.

So: we have a hypothesis. Because the Alien is technologically superior to humans, it must necessarily be morally superior to humans as well. 

And back on the surface of Planetty McPlanettface, we see the hypothesis being tested.

III: Close Encounters of the Third Kind

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The boffins have detected peculiar signals coming from...Planetty MacPlanetFace. No-one can listen to the signals for very long without getting a blinding migraine. Since it is unlikely that something so mindbogglingly annoying could have evolved purely by chance, the boffins conclude that Someone must be trying very hard to get our attention. So not one but two space ships are sent to investigate.

The previous volume, Nearly Neptune, ended on a small cliffhanger: Chris Godfrey was offered the job of deputy director of UNEXA on condition he gave up being an astronaut. We have already been told that astronauts retire at the age of forty, and it is very hard to see how he can be less than thirty-seven at this point. First Contact? begins in media res with the mission already well under way. It turns out that Chris is in command for one last trip. The American One, the Russian One, and the Working Class One from the previous volumes are all present and correct, and the empty spaces are filled by The Welsh One, the Scots One, the Bald One and the Not-Bald One. They really aren’t characterised beyond this. Mervyn Williams (really) has a poetic soul. During a space walk he intones “Beautiful it is, like a great black mantle with diamonds sewn all over it”. This is very much the kind of book in which people "intone" things. They also "splutter" them, "gasp" them and "murmur" them. But they hardly ever just "say" them.

A charming sense of amateurism pervades the proceedings. No-one seems to have given a moment’s consideration to what Chris will actually do if he encounters Aliens. You might think some diplomats, heads of state, anthropologists and even philosophers would be on hand to advise him, but everyone is fine with the chaps on the rocket-ship just winging it.

The unstated assumption seems to be that astronauts are a special class of human being, and that only someone who is good at “being an astronaut” can possibly be sent into space. It’s a little like the idea that there is a quality called “the right stuff” — quite distinct from aptitude — and it is that which makes someone a great test-pilot. Certainly our heroes have technical know-how — we are told that the ship has banks of hard to understand controls — but plot points always turn on things which the boffins on Earth and Tony (the Working Class one) on the space ship have cobbled together. When the strange sounds being emitted by Planetty McPlanetface render communication between the two ships impossible, Tony improvises a morse code machine from bits and pieces on the ships. The Boffs on earth borrow one from a museum. Sir George Benson (the outgoing director) works out how the signals work by playing them to himself in his back garden, moving his wheel chair to various distances to calculate the range of the migraine effect. He has to go down the road to the electrical shop to buy an extension cable!

These kinds of details make it easy for us to put ourselves in the heroes' place, and imagine that we ourselves are out there enjoying all the diamonds and black velvet. During the communication crisis, Tony decides that the best thing to do is make a space-walk to the other ship and explain the problem to them face-to-face; and Walters takes us slowly through him putting on the space suit, stepping out of the air-lock, navigating his way through empty space... It’s not the only way of writing for kids, but it works. It’s very much the technique which makes Enid Blyton and JK Rowling so compelling for anyone under the age of eleven and so unbearable for anyone older. 

So: the boys land on Planetty McPlanetface. There really is an Alien space craft there — all knobbly and un-aerodynamic and without a proper door. Communications are established and the Alien invites a delegation aboard for a face-to-face meeting.

The ship turns out to come from another solar system, where there is no death, no gravity, and a different shaped gear-stick on the Mini Metro. It doesn’t need doors because Aliens have mastered the art of walking through walls. It travels faster than the speed of light along concentrated gravity beams that criss-cross the galaxy. The Alien itself is aloof, but friendly and humanoid and good looking. The Not-Bald-One thinks he looks like an archangel, although the Bald-One points out the Lucifer was a fallen angel.

Chris takes the Alien at its word. But Morey (the American one) thinks Chris has trusted the angelic extraterrestrial far too easily and probably been mind-controlled. When Chris and the others do not return from their second sojourn on the vessel, he decides that the most sensible course of action would be to blow up the Alien Spaceship and return home. He plans to take control of one of the Earth ships and go kamikaze. Nothing we know about Morey has given us any reason to think that he would be this reckless. I was kind of waiting for the revelation that he was the one who had been hypnotised.

The Alien of course, knows what is happening immediately. He takes control of the suicide ship and it bounces harmlessly off his force-field. But far from sending Morey to stand outside the headmaster’s office, the Alien pats him on the head and tells him that he has been a very brave boy. After all, he truthfully thought the Alien was evil, and was courageously prepared to lay down his life to protect the human race. But clearly, humans are not yet ready to join the wider galactic community, so everyone is sent back to earth with a jolly good mind-wipe. The amnesiac astronauts tell the boffins that although they believe they saw an Alien spaceship, by the time they landed, it had disappeared; so they turned around and came straight home.

The story ends on another dot-dot-dot moment: George Benson realises that they were actually on the planet for several days and something is being concealed.


II: The Road Less Travelled

Previous Section

Science fiction is about opening doors and looking at things from new angles. I remember the first line of 2001: A Space Odyssey — “behind every human being there stands three ghosts; that is the ratio in which the dead outnumber the living” — far better than I remember the nonsense about monoliths and mad computers. Many young minds were blown by Phillip K Dick or the Matrix long before they knew that grown-up philosophers worried about the mind/body problem. Even a silly schoolboy writer like Edgar Rice Burroughs could be life-changing; not because his science is good — his science is non-existent — but because he gives you permission to imagine what the world would look like from a completely different perspective.

Sometimes you return to a place, or person or a book you knew a long time ago and say: “Oh: that’s where I learned that particular idea. I thought that it was just what I always believed.”

Or, of course “That’s the moment at which I took the wrong turning.”

First Contact?  is the twelfth book in the children’s science fiction saga which began with Blast Off At Woomera. The books contain a little bit of engineering, a little bit of popular astronomy, a lot of narrow escapes and a light seasoning of muscular Christianity. But they have thus far been largely devoid of anything that could be called “ideas”.

But First Contact? contains the biggest possible idea. The book literally reveals the answer to Life, the Universe and Everything. And it isn’t a joke or a punch-line. I am pretty sure that Hugh Walters believed it, and wanted his readers to believe it. And for a decade, at least, from the age of eight to the age of eighteen, I did believe it. I had completely forgotten the source: but I took it for granted.

It’s Holy Blood and Holy Grail for infants. 

It’s Olaf Stapleton for Year 4. 

It’s complete codswallop.



I: Current Puns

Strange noises are coming from Uranus. The boffins decide they want a very close look at Uranus. Because no-one has ever seen Uranus before. But it turns out that Uranus is being watched keenly and closely by intelligences greater than man's, yet as mortal as our own. 

I don’t think I got the joke when I first read First Contact? There was zero sex-education at primary school: I don’t think I even knew words like “anus” or “penis”. There were the words that were used at home and the words that were used in the playground. And if anyone had laughed I would have priggishly pretended not to understand, because science fiction was very serious and important and grown up.

It’s a very silly joke, because the correct pronunciation isn’t Your Anus; it’s Urine Us.

Saturday, November 15, 2025

Everything Andrew Has To Say About Politics: 2025 Edition


Well, I finally bit the bullet and deleted my Threads account. What pushed me over the edge in the end wasn’t the racists or the smug ignorant atheists or the even more smug and even more ignorant Christians. It was the fellow who said that there were no stories in the Silmarillion and Christopher Tolkien had made the whole thing up out of his head. 


The doom loop in — which I looked at Threads, saw an idiot, made a smart remark about the idiot, was called an arsehole and a nonce by the idiot, and spent the rest of the morning feeling cross about what the idiot had said — wasn’t doing me any good. And when there was, rarely a sensible exchange of witticisms, I felt bad about having cast my bread upon the ocean, if that is the expression I am looking for, rather than turning my thought into a blog post. 


So here is me, turning my thought into a blog-post.


You may say that the great advantage of social media is that if I were still on Threads or X I might not feel the need to subject the rest of you to this sort of thing.


I would actually like to delete Facebook, but Facebook is a little like the Arrakis Spice. It’s clearly controlled by the dark lord, but without it, space-travel would be impossible. On Facebook the pattern is different: someone posts something which is slightly interesting: say, a picture of Clifton suspension bridge at sunset, or a news item about a new piece of Doctor Who merchandise. I notice that under the quite-interesting thing there are twenty comments, and I scroll down to see who else was quite interested in it. And, without fail, the first comment is either “Bristol is a woke shit-hole full of lefties, graffiti and poncey coffee shops” or “I am sorry, I think you will find that actually Doctor Who was cancelled in 2013 (or, it may be, 2019.)” So instead of deleting the whole app, I am deleting any thread that I think I might be even slightly interested in. I did enjoy the fellow telling the charity which helped blind and partially sighted people that they should stop fishing brown people out of the English Channel. 


Stop me if you’ve heard this before. 



If you want to look very clever, it’s often a good tactic to pretend to be very stupid. A good starting point is to pretend not to understand something which everyone else finds very simple and straightforward. If you are talking about politics, it is really helpful to pretend that you don’t understand what the terms “Right” and “Left” refer to. 


I am not sure if I could say in plain language why, say, “disliking swearing on TV” and “enjoying the idea of hanging people” are logically linked, or why “believing in trades unions” and “not believing in God” seem to go together like a horse and carriage. But once I know where you put your cross on polling day, I think I could make an educated guess about where you stand on climate change, gender neutral lavatories, and whether or not the moon landings were faked. 


Some people will say, as they do about pornography and folk music “I can’t define it, but I know it when I see it”. 


I mean by "pornography" the thing which most people are talking about when they talk about pornography. If I showed a hundred people a copy of the Times Literary Supplement, Woman & Home, Readers Wives and The Dandy and asked them to tell me which one was pornographic, ninety-nine of them would give the same answer. 


“Oh, but Andrew, pictures of ladies with no clothes on leave me cold, whereas I get incredibly turned on by unshaven men eating cow pies. And many people would describe Woman & Home as ‘property porn’”.


Yes, there are howevers and what-abouts and exceptions. If I say that there are cat people and dog people, you know perfectly well what I mean, and the fact that your Aunty Mavis doted on her poodle and her Siamese doesn’t make any difference one way or the other.

 

It is true that in older books, you sometimes find “Right wing” being used purely in the sense of “resistant to change” and “Left wing” being used purely in the sense of “amenable to change”; so that sixteenth century English Catholics might be described as “Right-wing” because they couldn’t be doing with any of this newfangled Protestant stuff. The BBC got into a bit of a muddle in the 80s because it kept calling the hard-line communists who didn’t agree with Glasnost “conservatives”, even though the thing they were conserving was what most of us would consider to be “Left wing.” 


If I say Margaret Thatcher was a politician “of the Right” and that her opponent Neil Kinnock was a politician “of the Left” you know what I mean and I know that you know what I mean and you know that I know that you know… And there is nothing especially controversial about saying that Michael Foot wanted to do many of the same things as Neil Kinnock, but more so and sooner, and could therefore be said to have been further “to the Left”; and that Anthony Wedgwood Ben was “to the Left” of Michael Foot, and Fidel Castro was further to the  Left than any of them. And conversely we can say that Norman Tebbit was a little to the Right of Mrs Thatcher, and Enoch Powell was a little to the Right of Norman Tebbit and Adolf Hitler was a little to the Right of Enoch Powell. 


Some people on the Left find people on the Right so odious, and some people on the Right find people on the Left so ridiculous, that they can’t really bring themselves to admit that there are shades of grey. You wouldn’t, after all, talk about a “mild genocide” or a “slight pedophile”. So it used to be common to hear Socialist Workers saying that Mrs Thatcher was just as bad as Hitler, and Young Tories saying that Neil Kinnock was worse than Stalin. While I was writing this piece, I heard the actual president of the actual United States describing the incoming Mayor of New York as a Communist; and saying that Democratic voters were "crazed lunatics". The Daily Mail sneers daily about centrist Kier Starmer’s “socialist utopia”.


The same kinds of people who think that it is very clever to point out that Frankenstein was actually the name of the scientist, not the name of the monster also like to point out that Adolf Hitler called his movement “National Socialist” rather than “Nazi” so well actually Hitler was a Leftie. The aforementioned Mr Tebbit used to do a little improv in which he said pityingly that the previous speaker had made what he was sure was a little slip of the tongue and called the Nazis “far-Right” where he was sure they really meant “far-Left” and it probably wasn’t the speaker's fault because he probably went to a state school and wasn’t properly educated. Slightly smarter people talk about what they call the “horse-show” theory.   


If A is North, and B is north of North, and C is north of North of North, and D is even more northern than any of them, then it doesn’t seem exceptionally slanderous to say that D is “far-north”. But Politician E, Politician F and Politician G are increasingly offended if you describe them as Far-Right.


If Politician H suggested that we should kill the children of poor people and bake them into pies, then I would throw rotten vegetables and eggs and him, cross the road to avoid him, and definitely not invite him to air his views on the Today programme. I think that we should probably treat the fellow who says the world is flat, that vaccines cause autism, or that there is a serious possibility of the President of the United States being the next Prime Minister of the United Kingdom in the same way. You may disagree with me about who comes into that category, but the category definitely exists. Free speech doesn’t mean that you have to give every idiot in the world a platform. 


But outside of that lunatic fringe, it should be possible to be passionate without resorting to abuse. A less toxic discourse would benefit everyone. If Far-Right is now an insult, then we can probably find a different word to describe Politician I, Politician J and Politician K. 


But it cuts both ways, doesn’t it? Doesn’t it? 


I’ll stop saying Far-Right if you’ll stop saying Radical Left Wing Lunatic and Commie and Libtard.


“That is a false equivalence, Andrew. It is wrong for you to say that we are Far-Right and Racist, because there is nothing Far-Right or Racist about us. It is all right for us to say that you are Communists, and Mentally Retarded, and Traitors because that is the literal truth.”




There is a very old joke. 


A group of prisoners (or, it may be, army recruits or passengers on a long sea voyage) decide that, instead of telling the same jokes over and over again, they will assign each story a numerical value. So someone calls out “Number 53” and everyone laughs. And then someone else calls out “Number 78” and everyone laughs. A new recruit, once the system is explained to him, calls out “23” and “192” and is met with dead silence. 


“Why didn’t they laugh when I called out the numbers?” he asks. 


“Well” says one of the old lags “It’s the way you tell them.”


This is a joke about semiotics. Initially people are laughing at the numbers because of the jokes they point to (so number twenty three signals the one about the Irish fellow on the fair ground ride and number ninety eight represents the one about the vicar’s underpants) but gradually the numbers replace the jokes and become funny—or not funny—in themselves. 


One of the windows of my house faces directly onto a pedestrian street; and I have placed an old Spider-Man figurine on the ledge so it can be seen by passers-by. Partly because it amuses me and partly because it looks less slobbish than the other kinds of things that might have ended up there —a bottle of HP sauce, say, or some fairy liquid. Some people contrive to put things by their kitchen window which make passers-by think they must be foodies and gourmets -- three kinds of olive oil and a designer jar of fresh basil -- but I have never managed to be one of those people. I still think it is slightly vulgar when you can see rolls of toilet paper through frosted upstairs windows. I suppose that is why people used to disguise them with knitted dolls. Last December, I replaced the Spider-Man figure with a plush Santa that I had bought in Primark for fifty pence. On May 6 2023 I placed a cheap Union Jack there, hopefully the right way up.


I hope that when someone sees the Spider-Man figure, they will think “The person who lives there likes the same comics that I like”, and that it will make them smile. There used to be a person who had a kind of shutter in his window, decorated with genuine 1980s Empire Strikes Back wallpaper. That made me smile each time I walked past it. I really wish I had stuck a note through his door: “Your shutter makes an aging Star Wars fan smile each morning.” 


The Santa and the Flag were clearly signs. The Santa figure was saying “The last thing I am going to do is put up a Christmas tree in a bachelor pad, but I acknowledge that this is a special time of year.” The flag was saying “I am not particularly a Royalist but I acknowledge that there is an important national event going on today, and I honour it to some extent.” Or, more simply “I am not a Scrooge”, “I am not a sourpuss.”


If I put the flag back in my window tomorrow, what would you take it to mean? 


Symbols mean what they mean in themselves. They mean what the person who displays them intends them to mean. They mean what the person looking at them takes them to mean. And they mean what the person who displays them thinks the person looking at them will take them to mean.


You remember Screwtape’s anecdote, about how one human says something with a clear intention to wound and then pretends to be hurt and offended because the second human didn’t take it at face value. “I simply ask when dinner will be ready and she flies into a rage…”


Even if we had never come across it before we could spot that a little silhouette of a figure in a skirt represents “Women” and a little silhouette of a figure in trousers represents “Men”. Which is a good thing, because I can never remember if I am a pointy up arrow or a pointy down cross. I suppose if you came from an entirely different culture, you might not know that dresses were traditionally worn by females and pants were traditionally worn by males. But the icons, drawn in that particular way, have come by usage and intention to mean “public toilets”. (You wouldn’t, I think, use them to indicate which shelf at Marks and Spencers had the bras and which had the Y-fronts.) So plumbers and the water company can use the male/female sign to tactfully indicate that they are talking about loos even when it makes no difference whether they are fixing the Gents or the Ladies. But the signs don't just inform customers what shape the plumbing behind a particular door is likely to be. They have also acquired a cultural and political meaning. If I put them on my doors, then I am saying, whether I intend to or not “I don’t want to offend JK Rowling.” If I use a different signage, I am saying, equally clearly, “I want to offend JK Rowling very much indeed.” And it is impossible for me to not know that the signs now carry that meaning.  


Everyone knows that a red flag with three white stripes and a crown emblem represents the nation of Ruritania. When I hang such a flag in my kitchen window, I may mean that my Granny was a Ruritanian. I may mean that I am backing Ruritania for the annual Curling championships or I may mean that I want to show my respects to the emperor of Ruritania during his state visit. In order to know what the flag means, you need first to know what is going on in the world.


So perhaps I am flying the Ruritanian flag because I want to show solidarity with the Ruritanians in their war against the Sylvanians. And that I am entirely free to do. The fact that I fly the flag doesn’t necessarily mean that I hate all Sylvanians; or believe that Sylvanians cheat at cards and put olive oil on their cornflakes; or that the nation of Sylvania ought to be wiped from the face of the earth. I can be against the annexation of Ruritania without being anti-Sylvite. 


But there is a snag. 


Very many of the people who are flying Ruritanian flags are, in fact, anti-Sylvites. And many of them do think Sylvania should be wiped out and probably do believe the silly stereotypes about the cards and the olive oil as well. So very many of my Sylvanian neighbours think that when I hang out that flag, I am insulting them personally. And I knew they would think that when I hung it out. I couldn't not have done so. So the flag is not, and can’t be, a harmless indicator of my interest in the Curling tournament. 


"I don’t give a shit about how my neighbours feel" is part of what it means. 


And let me be clear: I personally respect the Sylvanian culture a good deal. I have read Sylvanian poetry. I go to Sylvanian restaurants and am actually rather fond of cornflakes-in-oil. Some of my best friends really are Sylvanians. But I also think that it was a bit out of order for Sylvania to rampage across the Ruritanian peninsula, burning farms and kidnapping children and forcing them to work in their cornflake factories. I do in fact think that Sylvania is on the wrong side of history. I do in fact think that our government ought to back Ruritania in the conflict. 


But there is another snag.


It makes sense tactically for Sylvanian politicians to pretend that they think Ruritanian flags are always and without exception hate symbols directed at them personally even if that isn’t true. It makes sense for them to claim that people side with the Ruritanians, not because of the justice of their cause, but because they are racist against Sylvanians -- even if they know that isn’t completely fair. It makes sense to claim that flying the Ruritanian tricolour implies support for the worst kind of Ruritanian terrorist; and even to define the flying of that flag as a hate crime. It makes sense, indeed, to change the legal definition of Anti-Sylvanianism to encompass “publicly expressing the belief that Sylvanians should not have annexed the Ruritanian peninsula.” 


It may even get to the point that the whole subject is so fraught that when writers want to discuss Ruritania and Sylvania they have to substitute the names of entirely fictional countries. 




We have talked about the definition of “fans” before.  A fan is a person who is not only in to something, but also in to being in to it. You don’t just watch the movie: you also buy the t-shirt and the record and the figurines. And it has also been noted that "being in to a thing" can easily become a substitute for the thing itself. You continue to spend your Saturday afternoons scouring Oxfam Shops for Star Wars action figures long after you have stopped caring about the actual movies. You have every Doctor Who annual going back to 1964, but can’t remember when you last watched the show. Possibly, you actively dislike it. Or perhaps you can point to a single moment, say Season 6 or Season 14, as being “real” or "true" Doctor Who, and believe that every other version has been an intentional desecration of that one true form.


George Orwell said that “patriotism” meant loving your country, and “nationalism” meant being proud of your country, and that the former was OK but the latter was Not-OK. 


Some people prefer the formulation that patriotism means loving your country and nationalism means hating everyone else’s country. 


Both definitions have the same snag: if you aren’t careful you end up limiting “patriotism” to meaning “any manifestation of national identity I personally approve of” and saying that any manifestation of national identity that is not to your personal taste is “nationalistic”. 


When Doctor Johnson said that patriotism was the last refuge of a scoundrel, I don’t think he meant that everyone who felt affection for the place where they grew up was a good-for-nothing scallywag. I think he meant that once the scoundrel has said that he didn’t do it, and that even if he did do it he didn’t mean to do it, and that even if he did mean to do it, it wasn’t very bad to begin with, his last resort is to say “Let me h'off, gov’nor, h'after all, we are both H'inglish.” 


Perhaps it would be better to say that some people are “fans” of their country. They are not just in to England, but in to being into it. They love the trappings of patriotism, while actively disliking the country itself — except, perhaps at some arbitrary point in the past; say 1776 or 1945. The Flag entirely replaces the republic or the constitutional monarchy for which it used to stand, in very much the same way that the numbers replaced the jokes. 


The papers recently pretended to be very angry because a school girl had been disqualified from a pageant because she had incorporated a Union Jack into her representation of "British culture". It may well be that the school handled this badly. Schools often handle things badly. I am still bitter about the time Miss Griffiths told me to share a text book with another pupil and then chastised me for looking at the other pupil’s text book. It may also be that the school had specifically said that flags weren’t allowed in the pageant and she was disqualified for breaking the rules. But what was a person whose family came from Warwickshire even unto the third and fourth generations meant to wear to represent “my culture”? 


Fine word, “culture”. Very often it seems to mean “that funny hat that Johnny Foreigner wears”. You have a culture; but I am just a base-line normal human being. He is religious; I am Church of England. And it is perfectly true that the English don’t have a distinctive funny hat that we wear on ceremonial occasions. That isn’t because nefarious commies came and took our hats away: it’s because the Irish and the Welsh and the Scottish all wear English hats. Largely because the English forced them to. That is why the Welsh and the Scottish have particular funny-hat wearing days and the English don’t.


CS Lewis once said that Scottishness consisted in “simply being Scottish”. It would have been truer to say that it consisted in pointedly not being English. 


If at the age of eleven I had been asked to talk about “my culture” I would have claimed, as I still occasionally do, that my Daddy was Cornish and my Mum was cockney and turned up dressed as a tin miner or a pearly king and contributed a pasty or some pickled whelks to the bring and share. Not that my mum was ever “cockney” in that sense, but then neither was anybody else’s. It wouldn’t have occurred to me to say that my culture was British. And if it had, I would have said that “British Culture” was the Beatles, Mr Bean, and cucumber sandwiches. Or the Lord Mayor’s show and the Silver Jubilee. Or Hamlet and Dennis the Menace. What the girl in question allegedly said was that British culture was about queueing and complaining about the weather, which is a bit like a French child saying that her culture is all about shrugging. 


But surely she ought not to have claimed to be British in the first place? Surely that wasn’t quite in the spirit of the thing? You don’t answer the question “What, in a good way, makes you different?” by explaining what it is which you have in common with everyone else? Saying “I am British” as opposed to Somali or Jamaican or Jewish or Muslim only makes sense if Somalians, Jamaicans, Jews or Muslims are not British. And I am guessing that wasn't the point of the festival.


What would happen if I asked one of the nice people who spends their spare time daubing red crosses on road-signs and hanging Union Jacks from lamp-posts what it is they actually like about this country? 


As a matter of fact, I think they would have been primed to say that that was exactly the sort of thing that libtards always ask, and that if you have to ask the question you were part of the problem and if I like socialism so much I should go an live there. Fans of Britain have become much more defensive of late, and understand that “what do you mean by woke?” is a question intended to catch them out. So they pretend that the fact that it as no possible answer is a point in its favour.


There are a lot of things we can honestly be quite pleased with in this country: socialised medicine, human rights, a sensible constitutional monarchy, an unarmed police force, a moderate state church and a live-and-let-live attitude to religion in general; a still pretty good state broadcaster; a lot of interesting castles and old buildings and organisations which manage, interpret, and promote them; volunteers who risk their lives to stop people from drowning. But those are, almost without exception, things that the Britian Fans are actively opposed to.  I imagine that the much longer list of things that are quite silly but definitely ours -- cheese rolling, the Women’s Institute, the Woodcraft Folk, Border Morris, Punch and Judy, I’m Sorry I Haven’t A Clue — would mainly consist of items they either haven't heard of or don't care about. 


There are however and what-abouts and exceptions. 


I saw a neanderthal meme the other day in which a football hooligan dressed in a cross of St George was imagined to be saying “We are British, we eat bacon, drink beer and respect women and if you don’t like that fuck off”. Obviously it was tempting to just fire back the Lone Ranger joke. But the relevant response was actually “First they came for the Muslims — but then they came for the Jews, the Vegans, the Methodists, the Wurzels and everyone who enjoys 1970s situation comedies.”


I have nothing against 1970s situation comedies. I might well argue that Carry On… and On the Buses were pretty valid examples of cultural Britishness. But respectful to women? Not so much. Anyway, I thought feminism was one of the woke things your lot were agin’?


I do, in fact, know that Frankenstein was the name of the scientist who created the monster, not the monster itself. And I also know that George the Martyr, who may or may not have been a real person, was probably born in modern Turkey and probably died in modern Syria, and that he probably never came to England and probably never killed a dragon. But I am not entirely sure what this proves. Nicholas of Smyrna probably never owned a sleigh and probably didn’t have a long white beard, although in fairness he did once punch a Jehovah’s Witness during a boring meeting. But that leaves the question of the commercialisation of Christmas very much where it was. 


Anyone who says that Union Jacks hanging on lampposts are a pleasant way of brightening up the urban scene is being deliberately disingenuous. No-one believes that a movement called Operation Raise the Colours is trying to make the point that morris dancing, the Archers, little shops, china cups and virginity are jolly good fun. If you say that angry mobs with placards saying “send them all home” or “Enoch was Right” have legitimate concerns about how local bureaucrats  handle unprocessed immigration applications you are telling traditional English Melton Mowbray Porkie Pies. 


Maybe the plan is that if we all pretend that we think the flags are a symbol of nostalgia and inclusiveness, that is what everyone will take them to mean, and the protest will be de-fanged. That is how very progressive school teachers used to treat extremely naughty children, isn't it? “Oh, you have written FUCK OFF MISS GRIFFITHS on the lavatory wall, have you? Well, hasn’t that brightened the place up! And such neat handwriting too! A gold star for spelling all the words correctly! Now, would you like to make a nice mural with the Art Teacher?”


I don’t give a damn about the Union Jack, except in so far as it is a logo I have become familiar with. It would be a bit of a pity if we no longer saw it on bunting at village fetes and in the crowd on the Last Night of the Proms, in the same way that it is a bit of a pity that WH Smiths, where I bought all my Conan and Tarzan paperbacks, has somehow morphed into HW Jones. 


But I think that we decent people who quite like our country have to cede the British flag to the people who are not only in to being British, but in to being into it. When I see Union Jacks on Labour membership cards (and doubtless on this ludicrous electronic BritCard that Starmer wants to make compulsory) and when I see Labour politicians posing in front of not one not two but three flags, I am afraid I think “Why are you trying to look like a 1970s National Front political broadcast?”  


I would not expect my Jewish neighbours to be very understanding if I explained that the shape I had daubed on their door was actually intended as an ancient Hindu life symbol. Labour long ago dropped the hammer and sickle and played down the red flag, not because there is anything wrong with industry and agriculture and even the blood of our martyred dead, but because other people associated them with communism. There is no point moaning about it. If I say that I remember when the Union Jack meant the Queen Mother, Boy Scouts and school fetes, I will sound exactly like one of the old geezers who is sad that he can’t use  “homosexual” in the sense of “cheerful and brightly coloured” any more. 


It isn't true that it is only the Union Jack if it is flown at sea; and even if it were true, that wouldn't effect the argument one way or the other. 




There is a very old joke. 


“When you are dead you do not know that you are dead: it is difficult only for other people. It is the same when you are stupid.” 


I think this is probably also true of racism.  


Some time ago, I wrote a short autobiographical essay about an unfortunate cos-play costume I wore at a LARP event some thirty-five years ago. I said that I now felt that it had been a terrible horrible very bad not good cos-play costume. Some nice people in the comments, interestingly, said “Yes but…”, to which I responded “No: just no.” 


One of my friends who had attended the same LARP event remarked that many of us who grew up in the 1970s and 1980s tended to think of “racism” as “personal unkindness”, and that a black-face caricature was not racist if it was done without conscious malice, or indeed, if there were no Black people present. I think we are all now agreed that that actually made it very much worse.  We’ve all become a lot more sophisticated, and are mostly on board with concepts of systemic racism, white privilege and cultural appropriation. The problem isn’t that a particular Ruritanian may be upset by a particularly offensive anti-Ruritanian joke. And it is no defence to say that one of your obligatory Ruritanian best-friends thought that the joke was quite funny. The problem is that we live in a society in which jokes about Ruritanians are widely told and in which people think it is okay to wear nasty caricatures of Ruritanian dress at cos-play events.



There is not much point in a brewery spending a lot of money saying “Older Irish Men—have you ever thought of trying Guinness?” Older Irish Men already drink Guinness. If you want to sell more of your indifferent stout, you need to persuade younger English women that Guinness is good for them. So get some clever film maker to make a little three minute film in which some young, fashionably dressed women in a trendy nightclub order pints of your beer. This is not the same as “erasing older Irish men”, or “saying that older Irish men are no longer allowed to drink Guinness”. And it is certainly not a reason for older Irish men to demand a national boycott of the brand. 



It would be rather odd to write a history of Christianity in England and entirely omit any reference to Henry VIII because he was a horrible person and baby Jesus would not have approved of him.


Or would it? A Marxist might write a history of the Wars of the Roses from the point of view of the peasant and the artisan, without even bothering to talk about the arcane genealogical questions the nobles were killing each other about. That wouldn’t be neutral history: it would be making the point that, from one point of view, the Wars of the Roses involved very rich people fighting other very rich people in order to decide who would be top rich person, and that who ever won, Private Baldric would be knee deep in the same shit that he would have been knee deep in in any case. But the standard history, the one that expects us to care that Henry Tudor had a dubious claim to the throne because his mother was the illegitimate descendent of Edward III, is no more neutral: it expects us to care about the ins and outs of the British royal pedigree. So a history of Christianity in England which sought out sincere souls in towns and villages who were actually doing their best to live a Christ-like life—but ignored all the clergy and nobility who weren’t—would be Quite Interesting, and no more or less polemical than the ones which define “Christianity” as “an argument between a German and an Italian about the precise definition of indulgence”. 


Was Henry VIII a Christian? From one point of view, obviously, yes. From another point of view, obviously not.


I am told that hyper-Lutheran Bible Colleges in the United States don’t have any books about Catholicism in their libraries; or that if they do, they classify them under “cults”. 



CS Lewis said that the whole of Christian theology could be extrapolated from the existence of rude jokes and ghost stories. 


He didn’t really mean it, of course. His point was that human beings find the fact that they have physical bodies which urinate and defecate and copulate amusing. And that they are surprised an unnerved that their bodies eventually stop working, to the extent that they find graveyards spooky and make up stories about dead people who somehow carry on existing after their body is gone. Isn’t it rather odd that animals should be disgusted and amused and scared by the fact that they are animals? And isn’t that oddity jolly well explained by the ideas of Original Sin and Cartesian Dualism? Lewis saw this as an argument in favour of his version of Christianity; it could equally be regarded as an argument against it.


It occurs to me that my entire political philosophy, and certainly my entire approach to textual criticism, could be extrapolated from one Radio 4 comedy sketch and one letter to the Times. 


The sketch comes from I’m Sorry I’ll Read That Again. John Cleese (pre-Python) was playing a doctor who had just asked a female patient to dis-robe for a medical examination. From memory, it went thus:


Patient: You’re not really a doctor, are you?


Cleese: That depends how you define the word ‘doctor’. If by ‘doctor’ you mean someone with a qualification from a medical college who is skilled at diagnosing and curing a wide range of illnesses, then indeed I am not a doctor. But if by ‘doctor’ you mean someone who pretends to be a doctor in order to make young women take their clothes off in front of him, then indeed I am a doctor. So take your clothes off. 


The letter to the Times is the one I quoted the other day in my tribute to Tony Harrison. If you aren’t of a certain age, you probably don't know just how much of a cultural force Mrs Mary Whitehouse was in the 60s and the 70s. If you are of a certain age, you may think she was a silly old fuddy duddy who didn’t like people saying “bum” on TV and thought Tom Baker pretending to drown the Master before the watershed was a bit too scary for kids. She was in fact both of those things, and I might be prepared to argue that a loud spokesperson for censoriousness was a good and necessary thing in an age of growing permissiveness, even if you are on the permissive side. And she had a very good point about Deadly Assassin. But she was also an extremist who literally didn’t think that homosexuality existed. She thought that nasty educationalists told children experiencing perfectly normal “crushes” that they had an entirely fictional quality called “being gay”. And she thought that the educationalists had bad, probably political, motives for doing so. The comparison between those views and those of certain contemporary writers of children’s fantasy fiction is left as an exercise for the reader.


The letter I have in mind is the rant about the use of the f word, the c word and the s word in Harrison's poem. 


THE four-letter word, referring as it does to sexual intercourse, has within its very sound, let alone context, a harshness, even a brutality, that negates and destroys the nature of the love, sensitivity and commitment which is or should be its very essence.  


And there are the two extremes: both pretty obviously nonsense. A word means anything you want it to mean; or else a word has an intrinsic, magical meaning, so that even to pronounce it moves a great power from slumber. 


Is the story of Jesus Christ a myth? Well, that depends on how you define the word myth. Do you define “myth” as an ancient story involving gods, demons and supernatural events? Or do you define myth as  a load of old codswallop that  no-one sensible would pay the slightest attention to? Both usages are defensible, but if you are going to argue honestly you had better make it clear which sense you are using. I can point to angry American evangelicals who pretend that when CS Lewis said that the story of Jesus was (in the first sense), a myth, he really meant that it was in the second sense, only a myth. 




It sometimes happens that a particular activity or practice is so taboo that it is impossible to accuse someone else of being guilty of it—and impossible to conceive that you could be guilty of it yourself. The Parson tells you each week about a sin called Sodomy, which is so bad that it cannot possibly be described or even named, and which cries up to heaven for vengeance when anyone does it. You aren’t quite sure what he means, but it doesn’t occur to you that it has anything to do with what you and your boyfriend sometimes get up to in the hay loft. The wise-men tell you that the one thing that the gods absolutely won’t put up with is incest, and that even marrying a cousin would bring down their wrath on the entire village. But it’s a very small village, and everyone is related, so you end up saying things like “My wife may happen to be the daughter of Uncle Tom, Dad’s brother, but how dare you insinuate that I am one of those god-cursed cousin-marryers.” 


I think that is how priests and PE teachers and children’s TV presenters got away with it for so long. Not because anyone ever thought it was okay; but because everyone agreed that it was so incredibly not-OK that it was impossible to say, or even think, that it was happening. 


If racism means "hating all Ruritanians on general principles", then the existence of even one Ruritanian who you do not hate proves you are not a racist. 


If Hitler was Far Right and Hitler was the worst man who ever lived, then it is a terrible slur to say that anyone other than Hitler was Far Right.  


If Racism is the very worst thing there is, then only the very worst people in the world can be Racists. 


Since I am not one of the worst people in the world, then, clearly, I cannot be a Racist. 


It follows that there are no Racists and no Far-Right politicians in the world, and never have been, apart from Hitler.



Gilbert and Sullivan told us many years ago that when everybody’s somebody then no-one’s anybody. I have long suspected that when clergymen say that everything is holy, everything is sacred, and everything is sacramental, then what they mean is that they don’t believe in holiness, sacredness, or the sacraments. 


The other day, someone told me that Christianity was obviously better than Islam because Islams are told to only pray five times a day, whereas Christians are told to pray without ceasing. I said that that could only be true if you had redefined “prayer” so it included peeling potatoes and going to the toilet. They said that it was possible to pray and peel potatoes at the same time. I said that I thought that must be very tiring. Thank you Lord for this knife, and for its sharpness. Thank you lord for this potato and its knobbiness. I pray that thou wilt in thine infinite mercy protect me from accidentally slicing the top off my thumb. It is, of course, possible to do ordinary things like eating and washing prayerfully. That is why some faiths have rule-books explaining "the proper religious way to peel a potato" and "the proper religious way to brush your hair." I think that a Muslim or a Jew who tries very hard to stay kosher or halal is probably “praying without ceasing” in a truer sense than the Christian who says “god bless this flush and this toilet-roll and this soap”. Which I don’t for one moment believe he does.



Rilstone’s third law goes like this:


1: The word “woke” means “anything the Right does not like”

2: The Right does not like anything.

3: Therefore everything is woke. 


The Right would doubtless, and not completely unjustifiably, retaliate with a law of their own


1: The Left call everything they don't like racist

2: The Left don't like anything

3: Therefore everything is racist. 


It is apparently now possible to say that someone who was born in Ruritania and has lived there for his whole life; and whose parents were born in Ruritania and lived there for their whole lives but whose grandparents migrated from Sylvania in the 1920s is not a true Ruritanian and should not be allowed to sit in the Ruritanian parliament while simultaneously insisting, to the point of litigation, that I am not anti-Sylvanian. 


When nobody is anybody, everyone is somebody. Racism is so bad it doesn't exist. Everyone I don't like is Hitler. If that is how you define Racism, then indeed I am not a Racist. So take your clothes off. 



There is a small controversy going on in the British Monopoly Federation. (So far as I know, no such organisation exists, and no dispute is going on. This is another of those paragraphs where I very wittily write about one thing and then do a surprising reveal that I am actually writing about a different thing.) 


The dispute is about whether the printed rules say that….I don’t know….you can level up every time you run out of manna, or whether you have to have promoted your Bishop first? 


This is obviously very important if you play Monopoly:  and the fact that there is a difference of opinion suggests that the rules are not clear on this point. But if you don't play Monopoly it is arguably none of your business. 


I don’t think it would be very sensible or interesting of me to say that it doesn’t make any earthly difference when you level up your top hat, because Monopoly is a silly game and a complete waste of time. I might be right: but the people who are currently having the argument are apparently quite keen on Monopoly.  


I don’t think it would be very sensible of me to say that the levelling up rule was added when the game transferred from Parker Brothers to Hasboro and that the only true Monopoly is Mr Charles Darrow’s 1924 edition. I might, again, be right: but if the Monopoly club is arguing about the present rules then it isn’t much help to tell them that they should be arguing about a completely different set of rules. 


There would be more point in saying that the ambiguity of the rules is evidence that Monopoly is not a very good game and everyone ought to resign from the Federation and take up Magic instead. And certainly, if one of the rules says that you can collect an extra $200 when you pass go if you shout “Down with Sylvanians!” then there would be some point in saying that Monopoly is not a very nice game. But even this wouldn’t contribute very much to the bishop/manna controversy.



I personally don’t have any problem with the ordination of women in the Church of England, and I have never met anyone who does. At any rate, no-one whose opinion is worth paying any attention to. 


What I find very hard to understand is how an entire church could have accepted female vicars, and then accepted female bishops but think that female archbishops are a step too far. 


 I see the point that there are Anglo-Catholics who would like very much to drop the Anglo- part, and are annoyed every time the Church of England does something that might antagonise the Church of Rome. I am not quite sure why denying the eucharistic miracle, denying the immaculate conception and bodily assumption of the Virgin Mary and denying the special authority of the Pope are not insuperable barriers to reunion with Rome, but that a differently gendered Archbishop of Canterbury is.


I think the African church would say that the issue is not the Rev Mullally’s gender per se but the whole question of Scriptural Authority. The problem isn’t so much “You have put a woman in charge” but “You don’t respect the Good Book when it says that you shouldn’t have a woman in charge.” But why the new Archbishop has provoked the split, where, say, relative toleration of divorce — and even liberal interpretations of key Christian doctrines — did not do so is a little obscure. Possibly they would say something like “You can be nice to homosexuals in your denomination if you insist, provided we can carry on being horrible to them in ours; but your wrongly gendered leader is normally our wrongly gendered leader too, and we can't be doing with that."


I don’t propose to re-litigate the proof texts. I suppose the actual question is whether you think that the practice in the Pauline churches is an irreducible model for all churches for all time (head covering, glossolalia, agape feasts, baptism for the dead and all) or whether you think that each generation catches the ball and passes it onto the next. 


It is by no means clear to me that if Catherine of Aragorn had supplied Henry VIII with a male heir, England would have sided with the Pope and against Martin Luther in the reformation. I certainly don’t think that the present day Church of England remains simply a clumsy workaround to allow some Tudor Trump to dissolve his marriage before there were divorce courts. It is certainly the case that the Queen Elizabeth II was a woman, but the monarch isn’t “head of the church” in the same sense that an Archbishop is. Frankenstein is certainly the name of the creator, not the monster. 


There was a time when I would have been inclined to argue that the persons opposed to a female archbishop were wrong and silly but not necessarily sexist. The thing I would have meant is still broadly true: you can be against lady bishops because you think that ladies in general are silly and yucky and can’t be trusted with any responsible job; and you can be against lady bishops because you have a complicated theological belief about priesthood and the eucharist and the gender of the supreme being. But I now think that it is perfectly valid to say “That belief is a sexist belief” and, indeed, “That theological system is a sexist theological system”. To say “but perhaps the person with the sexist belief derived from the sexist system is not themselves a sexist" is to speculate about how many angels can dance on a split hair. 


Kier Starmer appeared to say that a particular political policy may be racist; and that the party that promotes the racist policy may be racist; but it does not follow that the the person who votes for politician who leads the party who supports the policy that lay in the house that Jack built is necessarily a racist themself. Which is simply to play a word-game and equivocate on definitions. So take your clothes off. 



If the Far-Right has degreed that the word Far-Right is as offensives as the f-word or the n-word, then by all means let us stop using it and think of something else to call them. I think that the best solution is to say what you actually mean. If someone says that all French people are excitable and shrug a lot, don't call them Racists, say that they are promoting racial stereotypes.  If someone says that the grand-child of an immigrant is nevertheless a foreigner, say that they are nativists. If someone says that only white actors and models should appear in advertisements, call them white supremacists. If they say that they don't dislike people with dark skins but that there are too many of them in this country, or that a dark-skinner person can't be British regardless of what his paper work says, say they believe in an ethnostate. I am not sure what word I would apply to someone who wants to deport legal immigrants who have lived in this country for donkeys years because it would promote something called cultural cohesion. Mono-culturalist? Assimilationist? Powellite? 


Or maybe I am over-thinking this. We mustn't call them Far-Right. But they can call us Woke. So what is needed is a word which serves the same function. A word without meaning, but with an etymological history. A word which means "a person or thing that liberals dislike" in the same way that woke now means “a person or thing conservatives don’t like”. 


A word, in fact, which means “not on our side”.


Is there such a word which has been commonly applied to the political Right? I am sure there must be such a word. If it occurs to me I will let you know. 



I remember in maybe 1986 I was in London, trying to visit a mate who lived in an apartment block, unable to remember his flat number, looking for a red phone box to phone him up and for a shop where I could change a pound note into five pence pieces which would fit the machine. “I have had enough of this” I thought “I am going to have to get one of those newfangled Mobile Phones as I believe they are called.” 


I did not realise, at that moment, that I was committing an act which would, twenty years down the line, cause me to spend valuable writing time trying to encapsulate my thoughts in precisely one hundred and forty characters and which would, twenty years after that, result in the election of an authoritarian mono-culturalist US president, and therefore of the political emasculation of the BBC.


Frankenstein was the name of the scientist; and the Creature that he Created got out of control and destroyed him. We can’t see the end-result of Artificial Intelligence: but I am pretty sure that it will something that we wouldn’t remotely have expected.