The Green Goblin + The Enforcers
J Jonah Jameson, Aunt May, Flash Thompson, Liz Allen, Betty Brant, B.J Cosmo.
B.J Cosmo (or another director with the same initials) has previously appeared in Journey into Mystery #92, when he hires Thor to provide special effects for his Viking movie.
“Creature from the Black Lagoon” came out in 1954 and spawned two sequels “Revenge of the Creature” and “The Creature Walks Among us”. Unlike Cosmo’s “The Nameless Thing From the Black Lagoon in the Murky Swamp”, none of them won any awards.
Cosmo doesn’t seem to be aware that Spider-Man had a previous career as a TV performer.
It takes the three Enforcers and the Goblin to move the boulder over the cave entrance: Spider-Man can’t shift it himself, but tricks the Hulk into smashing it. This suggests that Spider-Man’s strength is a bit less than that of four reasonably fit grown men. (So maybe he can bench press 750lbs/340kg?)
The Hulk’s own comic was canceled in March 1963. After various away-fixtures in the Avengers and the Fantastic Four, he returns as Ant Man’s back up feature in Tales to Astonish #59 (September 64), where it is mentioned in passing that he was “last seen in New Mexico”.
Spins a web, any size: Spider-Man uses his web to catapult himself on the the Goblin’s broomstick. He attaches tumbleweed to the end of his web and “whips up a man made dust-storm.”
$50,000 would have been a fairly small fee if B.J really thinks that Spider-Man is as big a star as Tony Curtis, who could command at last $150,000 per appearance.
So why do we think that Stan Lee's original version was so different? It so happens we are able to compare and contrast two different accounts of the genesis of the story. First, we have Stan Lee’s version, from the opening page of Spider-Man #14:
“Stan's synopsis for the Green Goblin had a movie crew, on location, finding an Egyptian-like sarcophagus. Inside was an ancient, mythological demon, the Green Goblin. He naturally came to life. On my own, I changed Stan's mythological demon into a human villain… I rejected Stan's idea because a mythological demon made the whole Peter Parker/Spider-Man world a place where nothing is metaphysically impossible."
Stan Lee dreamed up the story; Steve Ditko pretty much ignored it and came up with a different story of his own; and the result was the most famous of all Spider-Man’s enemies.
The “broomstick” was a step too far for the Comics Code, which still prohibited “scenes dealing with, or instruments associated with walking dead, torture, vampires and vampirism, ghouls, cannibalism, and were-wolfism”. Presumably they took it for granted that this included allusions to witchcraft; although there is nothing especially witchy about the Goblin. His flying device does have an array of twig like spikes on it, but you could easily fail to realize that they are meant to be the brush of a besom. (The spikes point forward, between the Goblin's legs, which is in line with traditional folklore depictions of witches, but not with popular fairy tale illustrations, or Mr Harry Potter, whose brushes generally point behind them.)
|Amazing Spider-Man #14
Spidey remembers a new power
|Superman logo: a similar trick.
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Amazing Spider-Man was written and drawn by Stan Lee and Steve Ditko and is copyright Marvel Comics. All quotes and illustrations are use for the purpose of criticism under the principle of fair dealing and fair use, and remain the property of the copywriter holder.
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