There is one loose end to tie off and it is what convinces me more than anything else that The Final Chapter was intended to be, well, the final chapter. Again, look at the pictures of Peter Parker at the Bugle and ignore the dialogue. Parker slouching, with his back to Betty, just like the last time he saw her, and the time before that. Betty sees him; she runs to him. He doesn't want to see her. We see the back of his head as it passes off panel. The camera spins round: now we're standing behind Betty; looking at her looking at Peter. This is the first time we've seen his face since the great ordeal; the first time in 30 pages he's taken his mask off. He's got bruises all over his face. And Betty freaks out. Of course she does.
Peter Parker is Ditko's surrogate and Spider-Man is Stan Lee's surrogate and this story is all about Peter. But there is also a sense in which the relationship between the studious, bespectacled, talented freelancer and the mean, blustersome, cigar-chomping editor reflects that between Steve Ditko and his boss Stan Lee. And so before we go, Peter wins a small victory over Jonah. He finally has some good pictures, of the Purple Minions being arrested. "I want a hundred dollars each..." he says "Or I'll peddle them elsewhere." And Jameson pays him his money. I think on my first reading this moment pleased me more than all the others.
We see the doctor's hands from off panel: Aunt May is in the foreground. It always feels awkward when speech bubbles come from off-panel: it makes the words seem at odds with the picture. Has Stan Lee missed the point again? Did Ditko, perchance, intend to give the last word to Peter Parker?
Spider-Man, the TV star. Spider-Man the self-publicist. Spider-Man the boastful braggart. Spider-Man did his bravest ever deed at the bottom of the ocean at the dead of night. No-one will ever know.
It’s not just what you’re born with
It’s what you choose to bear
It’s not how big your share is
It’s how much you can share
It’s not the fights you dreamed of
It’s those you really fought
It’s not what you’ve been given
It’s what you do with what you’ve got
This has been the last part of "Listen Bud!", Andrew Rilstone's exposition of the first thirty three episodes of The Amazing Spider-Man by Steve Ditko and Stan Lee, begun on 23 May 2016.
Thank you to the 40 readers who donated a total of $300 a month to keep this project happening. If you enjoy what I am doing, it would be great if you could join them.
I am going to be soliciting feedback from Patreon backers about what projects I embark on next, so now would be a great time to jump on board. You'll also get occasional little treats, like free e-book collections of my writing, and the right to by book versions at reduced rates.
But whether you support me financially or not thanks to everyone for sticking around for this project; it's something I've wanted to do for years, and I don't think anything quite like it has been tried before.
I am not completely done with Spidey: there a several supplementary essays in the pipeline.
As a very great man once said: Excelsior!
If you have enjoyed this essay, please consider supporting Andrew on Patreon.
if you do not want to commit to paying on a monthly basis, please consider leaving a tip via Ko-Fi.
Amazing Spider-Man was written and drawn by Stan Lee and Steve Ditko and is copyright Marvel Comics. All quotes and illustrations are use for the purpose of criticism under the principle of fair dealing and fair use, and remain the property of the copywriter holder.
Please do not feed the troll.