So he agrees with the first three writers that recent issues have been more plot-heavy, where previous issues were more focused on the Great Big Fight Scene. But while Richard, Carey and Edward mainly read Spider-Man for the battles, Tommy is mainly interested in the story.
Over the next few months, the letters pages will return to this subject over and over again. The correspondents become more and more hostile; the complaints, more and more specific. In issue #34 a fan named Alan Romananok complains that "you are giving too much of (the mag) to Peter Parker's private life", and goes so far as to count the panels to prove his point.
It seems that the duality which we have observed was also obvious to the very first Spider-Man fans, more than half a century ago. They can see that there are two kinds of Spider-Man story. In Column A, there is Soap Opera, Love, Mystery, Plot, Emotion and Drama; in Column B there is Action and Fights. And they are clear that Type A stories focus more heavily on Peter Parker, where Type B stories focus more heavily on Spider-Man. What one fan deprecates as "all that mystery jazz" another may praise as a "proper plot". While one fan moans that he has to wade through 11 boring pages of story before he finally gets to the "action", another complains when a comic is "just one long fight". But they are all agreed that some of these issues are not like the other ones.
(*) The letter is slightly confused: he writes "there was a sharp drop in quality between #6 [sic] and #24. The Man in the Crime Master's Mask was as good as #9 and #10, my favourites...#16-#24 had no real plots, except for #18-#20....For real Marvel Magic, #26 can't be topped."
It would make a good deal more sense if he was say that #17-#19 were the ones which had plots, which would give us:
This comes out as:
#9, Man Called Electro
#10 The Enforcers
#17 The Return of the Green Goblin
#18 The End of Spider-Man
#19 Spidey Strikes Back
#25 Captured By J. Jonah Jameson
#26 The Man in the Crime Master' Mask
#16 Duel with Daredevil
# 20 Coming of the Scorpion
#21 Where Flies The Beetle
#22 Clown and His Masters of Menace
#23 Goblin and the Gangsters
#24 Spider-Man Goes Mad
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Amazing Spider-Man was written and drawn by Stan Lee and Steve Ditko and is copyright Marvel Comics. All quotes and illustrations are use for the purpose of criticism under the principle of fair dealing and fair use, and remain the property of the copywriter holder.
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