It lingered in things like Machine Man and Captain Universe and Speedball and oh god he did a run on Rom Space Knight, a comic about an Action Man accessory. It felt strange. Magical but strange. Comics that were almost, but not quite, like the ones I first fell in love with. The man who drew Spider-Man, still drawing like the man who drew Spider-Man.
So why the hell wasn't he drawing Spider-Man?
The sad but simple answer was "because he didn't want to." Which is fair enough.
Ditko never did anything else as good as Spider-Man. But everything Ditko did reminded us of Spider-Man. Yes, he did Doctor Strange and if we hadn't had Doctor Strange we wouldn't have had Sandman, not in quite the same way. And yes, he did The Question and Mr A and without the Question and Mr A we wouldn't have had Rorschach, and everyone has already quoted the anecdote about him saying that Rorschach is "Like Mr A, but insane." But it is those 33 issues he will be remembered for. Surely the best 33 issue run anyone ever did?
So anyone can pick up The End of Spider-Man or The Sinister Six and still be blown away by its idiosyncrasy and its weirdness and its distance from anything else there has ever been. There could never be anything else like The Amazing Spider-Man because there was no-one else like Steve Ditko.
And yet... Ayn Rand taught us that no man has any duty to any other man; but Spider-Man believes that with great power comes great responsibility. Why did the arch disciple of the rational conservative create a character who was, if anything, a Christian Socialist? (A Jewish Christian Socialist but let's not go there today) I am convinced that this contradiction is what makes the Very Early Spider-Man so un-repeatably, so quintessentially great. Perhaps there are two contradictory creative visions, two creators battling for the soul of Spider-Man in the actual pages of the comic book. Perhaps we are literally watching Ditko's belief that to be true to yourself is the only law colliding with Stan Lee's belief that you are responsible for every good deed at you fail to do. But perhaps Ditko intended that Peter Parker should start out believing that with great power came great responsibility so that he could spend the next 30 issues realizing what a foolish, unlivable creed that was. Perhaps Ditko created a miserable, neurotic liberal crushed by the impossible demands of liberalism so he could finally show him throwing off that unbearable burden and becoming his own man.
There are not many characters who have persisted for 50 years and who we can be fully certain will persist for another 50, but Spider-Man is one of them. (So is the alien with the red cloak and the problem with his underwear; so is the guy from Baker Street with the pipe and the attitude problem. The person in the blue box with the screwdriver is reaching the end of their natural life. I will be proved right about this.)
I don't know if Ditko would have taken comfort from that. Probably not. I think his attitude was that he did a job of work 50 years ago to the best of his ability at the time, and got paid the going rate, and that's all anyone has any right to. He would have certainly been pleased that his obituarists, without exception, and in the face of decades of corporate Stanology, took it for granted that Steve Ditko was the creator, if not quite the onlie begatter of one of the most famous fictional characters in the world.
Ditko died; Spider-Man will live forever.
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Amazing Spider-Man was written and drawn by Stan Lee and Steve Ditko and is copyright Marvel Comics. All quotes and illustrations are use for the purpose of criticism under the principle of fair dealing and fair use, and remain the property of the copywriter holder.
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