Kraven the Hunter
Betty Brant, Anna Watson, Gwen Stacy, Harry Osborn, J. Jonah Jameson, Frederick Foswell, J.J.J's new Secretary (un-named)
The action takes place over about a week:
Day 1 (Night): Peter Parker starts studying again. (page 4)
Day 2: "The next day" Peter Parker visits Aunt May in hospital (p4) and goes back to college (p5). That evening he hears the report that Spider-Man has attacked JJJ (p6)
Day 3 -6: "In the days that follow" the false Spider-Man makes more attacks.
Day 7: "Finally" Spider-Man decides to take action.
Since the cuts and bruises on Peter Parker's face have healed, a few days must have elapsed since the end of The Final Chapter. If issue #33 took place in the early hours of Sunday, 29 August 1965, The Thrill of the Hunt probably takes place between 1st September and 8th September.
The fight between Spidey and Kraven takes place after dark; Aunt May and Mrs Watson are having tea and think Peter is at the cinema. Aunt May thanks him for coming home early.
6PM: Mrs Watson comes round for tea; Peter sets out
7PM Fight between Spider-Man and Kraven
9PM Foswell reports capture of Kraven to Bugle
10PM Peter gets home.
Note that Jameson's new secretary is still in the office at 9PM: he's expecting her to work a 12 hour shift, while protesting that he isn't running a sweat shop.
Peter Parker's finances
Peter doesn't bother selling any pictures of Kraven to J.J.J: he has not spent the thousand dollars that he got at the end of last issue.
p6: "It's the Chameleon's last hideout..the one he used when the two of us teamed up...I've got to trap Spider-Man before I myself am discovered...for I have been sentenced never to return to these shores."
In Amazing Spider-Man #15, the Chameleon brought Kraven to New York to defeat Spider-Man. They were both deported at the end of the episode. Kraven was last seen in a prison cell with the rest of the Sinister Six, but was presumably put back on a boat immediately thereafter. (The Chameleon is currently concentrating on helping the Leader defeat the Hulk.)
p8 "The world's most amazing super-hero, contentedly munching a mcintosh apple..."
It is unclear why Stan Lee bothers to specify the brand of apple. Mcintosh were a popular red-coloured fruit grown near New York. Steve Jobs named a famous brand of computer after them.
p13 "It's him!"
"Tsk, tsk. You mean "It is he"! Nothing infuriates me as much as bad grammar!"One would not say "Him is climbing the wall" (unless one were referring to Adam Warlock) so logically one should not say "It is him who is climbing the wall" and therefore not "It is him". Similarly, you wouldn't say "Me is climbing the wall" (unless you had been raised by Kala the she-ape.) But in practice, everyone says "It is him" and "It is me."(Germans say "Ich ben is!" but the French say "C'est moi!".) Most grammar experts recommend that one follows common usage in all but the most formal situations.
The follow-up to the Very Famous Master Planner Trilogy is not irredeemably bad: it is just a bit meh. The Scorpion story, which came straight after the End of Spider-Man triptych was also a bit meh. So it was possible to read this story and hope that Ditko and Lee were merely pausing for breath before embarking on their next epic.
Last time a baddie dressed up as Spider-Man, Peter Parker assumed that he had become a somnambulant split personality and went running to a psychiatrist. This time, more reasonably, he thinks "Someone is impersonating me!'' As soon as he ventures out, he encounters the fake Spider-Man who reveals himself to be Kraven. They chase each other around an old building for a bit, and when Kraven catches up with him, they have a fight. Spider-Man wins, Kraven admits the ruse ("Whatever else I may be...I am a man of honour!") and Jameson is left feeling pretty stupid. Again.
Oh. Peter. Parker. Stop. Being. Such. A. Dick.
There is, however, one point of interest in the issue. It is only a clue to a road not taken but it is an interesting road and an interesting clue.
|Amazing Spider-Man #34: For about three panels, Peter follows |
"rational self interest".
After seeing Aunt May and finishing school, Peter Parker hears police sirens. He is just about to jump into action as Spider-Man, but then he thinks "Aww, come to think of it, why bother?" He doesn't need the photo-money because of the rather generous fee he took from J.J.J. last issue; and he would rather visit Aunt May and study.
"Aww, come to think of it, why bother?" As slogans go, it's not quite up there with "With great power comes great responsibility."
You might expect that this would lead to some tragic conclusion or moral lesson: that something would teach him that he can never say "why bother?" when Spider-Man could be helping out. But nothing comes of it at all. He decides to let the world turn without him for one night, and it does.
Peter Parker really did cast of his albatross and exorcise the ghost of Uncle Ben last month. He no longer feels that his great power gives him responsibility for the whole of the rest of the world. He turns his back on a crime and looks happier than we have ever seen him in months. Maybe it has taken Ditko 34 issues to finally refute the ending of Amazing Fantasy #15. Peter Parker is going to pass by on the other side when he could have helped someone. And that's okay.
That was the message that Ditko tried to give us in The End of Spider-Man. If it comes to a straight choice between being Peter Parker and being Spider-Man, Peter Parker is much happier just being himself.
Of course, it doesn't come out like that. The fake Spider-Man forces him to go into action (perhaps that, in narrative terms, was the point of it) and the issue ends with him telling a passing tree that "Spider-Man I've always been...and shall always be...as long as I live."
But perhaps this was where Ditko wanted to take the story. Freed from his liberal guilt, Peter Parker no longer has to play the hero: from now on he's just a crime photographer making an honest living.
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Amazing Spider-Man was written and drawn by Stan Lee and Steve Ditko and is copyright Marvel Comics. All quotes and illustrations are use for the purpose of criticism under the principle of fair dealing and fair use, and remain the property of the copywriter holder.
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